Do celebrities get an easier time on SAS: Who Dares Wins? Why are box office returns measured commercially, rather than the number of tickets sold? How is filming in cars done? What time do you start drinking as a guest on Saturday Kitchen? Your excellent questions answered by Richard and Marina on The Rest Is Entertainment.
Producers: Neil Fearn Executive Producers: Tony Pastor + Jack Davenport
Inside This Episode:
The hosts discuss the filming techniques used in car scenes for dramas and police procedurals, noting the shift from older methods like rear-projection footage (e.g., “To Catch a Thief”) to modern CGI. Real cars are often on a low-loader or process rig for filming.
There’s an amusing exploration of filming in the BBC drama Night Sleeper and Celebrity Antiques Road Trip, which uses real driving but without road markings for aesthetic reasons.
Richard Osman describes the immersive nature of reality TV shows like Celebrity SAS: Who Dares Wins, where participants are isolated from producers, and the directing staff maintain a stern atmosphere on and off camera.
The episode touches on Richard’s hypothetical refusal to participate in Celebrity SAS, contrasting the role of actual SAS veterans like Andy McNab with TV presenters who play the role for reality shows.
There is a discussion about radio broadcasting logistics, with the hosts explaining how shows like Jason Manford’s on Absolute Radio have complex algorithms matching the length of songs across different eras.
Book market data is discussed, comparing it to the film industry where box office sales dominate, while the book industry focuses more on unit sales.
Richard and Marina entertain a discussion on the culture of celebrity reality show WhatsApp groups and how bonds form among participants in these settings.
“Night Sleeper, which is all set on a train… has video screen of exactly the entire journey from Glasgow to London… just outside the windows of the train. And it looks like they really are on a train”
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